April 5, 2022 Grim D. Reaper

Nope, Northman, Marcel — #TrailerTuesday

April 4, 2022April 4, 2022 Grim D. Reaper

Review: ‘Morbius’ (the living vampire reference)

April 1, 2022 Grim D. Reaper

Review: ‘You Won’t Be Alone’ (a skin-walker’s tale)

March 29, 2022 Grim D. Reaper

Maverick, Men, and Everything Everywhere — #TrailerTuesday

March 25, 2022 Grim D. Reaper

Review: ‘The Lost City’ (a jungle slog)

March 25, 2022March 25, 2022 Grim D. Reaper

Review: ‘The Adam Project’ (Steven Spielberg’s TimeCop)

March 18, 2022March 18, 2022 Grim D. Reaper

Review: ‘X’ (where the spot marks you)

March 3, 2022 Grim D. Reaper

Review: ‘The Batman’ (the longer Halloween)

February 27, 2022 Grim D. Reaper

Review: ‘Studio 666’ (lacimus dei ebrius)

February 3, 2022 Grim D. Reaper

Review: ‘Moonfall’ (that’s no moon)

February 3, 2022 Grim D. Reaper

Review: ‘Nobody’ (is coming to save you)

January 30, 2022February 10, 2022 Grim D. Reaper

Review: ‘Ray Donovan, The Movie’ (four Irishmen and a funeral)

January 24, 2022January 24, 2022 Grim D. Reaper

Review: ‘Dune’ (Part One, The Spice Must Flow)

January 22, 2022 Grim D. Reaper

Review: ‘WarHunt’ (Black Forest moan)

January 22, 2022 Grim D. Reaper

Review: ‘The Seventh Seal’ (the silence of God)

January 20, 2022 Grim D. Reaper

Review: ‘The Last Duel’ (me too-ish)

January 19, 2022January 20, 2022 Grim D. Reaper

And the 15th Annual Houston Film Critics’ Awards Goes to…

January 17, 2022 Grim D. Reaper

Review: ‘Hotel Transylvania: Transformania’ (Drac’s lamest hits)