May 16, 2025 Grim D. Reaper

Review: ‘Clown In a Cornfield’ (I’ll tell you whut)

May 11, 2025 Grim D. Reaper

Review: ‘Thunderbolts*’ (what about Bob?)

April 30, 2025 Grim D. Reaper

Review: ‘Until Dawn’ (no rules, just wrong)

April 18, 2025 Grim D. Reaper

Review: ‘Sinners’ (music, magic, and monsters)

April 16, 2025 Grim D. Reaper

Review: ‘The Amateur’ (relic of the Cold War)

April 12, 2025 Grim D. Reaper

Review: ‘Drop’ (good to the last)

March 30, 2025 Grim D. Reaper

Review: ‘A Working Man’ (fake moons and kicking ass)

March 29, 2025 Grim D. Reaper

Review: ‘Death of a Unicorn’ (monsters, maidens, and mythology)

February 23, 2025 Grim D. Reaper

Review: ‘Companion’ (objectification personified)

February 21, 2025 Grim D. Reaper

Review: ‘The Monkey’ (drumroll, please)

February 17, 2025 Grim D. Reaper

Review: ‘Wolf Man’ (sins of the father)

February 15, 2025 Grim D. Reaper

Review: ‘Captain America: Brave New World’ (lost legacies)

February 2, 2025 Grim D. Reaper

Review: ‘Heart Eyes’ (the cure for the common rom-com)

January 1, 2025 Grim D. Reaper

My Ten Top Recommended Films of 2024

December 8, 2024 Grim D. Reaper

Review: ‘Nosferatu’ (Knock und Cie)

November 23, 2024 Grim D. Reaper

Review: ‘Gladiator II’ (echoes in eternity)

November 21, 2024November 23, 2024 Grim D. Reaper

Review: ‘Wicked’ Part 1 (all you’ve ever wanted)

November 16, 2024 Grim D. Reaper

Review: ‘Red One’ (Saint Nicked)