December 31, 2023January 1, 2024 Grim D. Reaper

Review: ‘Nimona’ (something, something, something, we win)

December 31, 2023 Grim D. Reaper

Review: ‘Past Lives’ (truth and consequences)

December 31, 2023November 3, 2024 Grim D. Reaper

Review: ‘Poor Things’ (a confluence of circumstances)

December 24, 2023 Grim D. Reaper

Review: ‘The Boy and the Heron’ (for the birds)

December 23, 2023 Grim D. Reaper

Review: ‘Aquaman and the Lost Kingdom’ (black trident moan)

December 17, 2023 Grim D. Reaper

Review: ‘Wonka’ (pure delicious imagination)

December 17, 2023 Grim D. Reaper

Review: ‘Saltburn’ (the opportunistic Mr. Ripley)

December 10, 2023 Grim D. Reaper

Review: ‘Godzilla Minus One’ (post traumatic kaiju disorder)

December 10, 2023December 17, 2023 Grim D. Reaper

Emma Tammi’s ‘Five Nights at Freddy’s’ Leads the Golden Scythe Horror Awards 2024

December 10, 2023 Grim D. Reaper

Review: ‘The Holdovers’ (about a Barton boy)

November 24, 2023November 26, 2023 Grim D. Reaper

Review: ‘The Hunger Games: The Ballad of Songbirds and Snakes’ (an early Snow)

November 24, 2023 Grim D. Reaper

Review: ‘Elemental’ (Earth-ish, Wind, and Fire-Water)

November 9, 2023November 9, 2023 Grim D. Reaper

Review: ‘The Marvels’ (how Kamala got her bangle back)

November 2, 2023 Grim D. Reaper

Review: ‘A Haunting in Venice’ (in this house…)

October 27, 2023October 27, 2023 Grim D. Reaper

Review: ‘Five Nights at Freddy’s’ (panic at the pizzeria)

October 22, 2023 Grim D. Reaper

Review: ‘The Exorcist: Believer’ (I don’t practice Santeria)

October 21, 2023 Grim D. Reaper

Review: ‘Killers of the Flower Moon’ (the impotence of being Ernest)

September 28, 2023 Grim D. Reaper

Review: ‘The Nun II’ (Some call me Maurice)