February 23, 2025 Grim D. Reaper

Review: ‘Companion’ (objectification personified)

February 21, 2025 Grim D. Reaper

Review: ‘The Monkey’ (drumroll, please)

February 17, 2025 Grim D. Reaper

Review: ‘Wolf Man’ (sins of the father)

February 15, 2025 Grim D. Reaper

Review: ‘Captain America: Brave New World’ (lost legacies)

February 2, 2025 Grim D. Reaper

Review: ‘Heart Eyes’ (the cure for the common rom-com)

January 1, 2025 Grim D. Reaper

My Ten Top Recommended Films of 2024

December 8, 2024 Grim D. Reaper

Review: ‘Nosferatu’ (Knock und Cie)

November 23, 2024 Grim D. Reaper

Review: ‘Gladiator II’ (echoes in eternity)

November 21, 2024November 23, 2024 Grim D. Reaper

Review: ‘Wicked’ Part 1 (all you’ve ever wanted)

November 16, 2024 Grim D. Reaper

Review: ‘Red One’ (Saint Nicked)

November 9, 2024 Grim D. Reaper

Review: ‘Heretic’ (the skeptical Mr. Reed)

November 3, 2024 Grim D. Reaper

Review: ‘Here’ (right here, right now)

November 3, 2024 Grim D. Reaper

Review: ‘Conclave’ (the Vatican takes a Pope)

October 5, 2024 Grim D. Reaper

Review: ‘Salem’s Lot’ 2024 (classic thirst trap)

October 5, 2024 Grim D. Reaper

Review: ‘Joker: Folie à Deux’ (Beau Has Remorse)

September 6, 2024 Grim D. Reaper

Review: ‘Beetlejuice Beetlejuice’ (the Afterlife is so random)

September 5, 2024September 5, 2024 Grim D. Reaper

Review: ‘The First Omen’ (Carlita’s Way)

September 5, 2024September 5, 2024 Grim D. Reaper

Review: ‘Immaculate’ (nunsploitation for the greater good)