December 24, 2019 Grim D. Reaper

Review: ‘Cats’ (overcomplicating simplicity)

December 24, 2019 Grim D. Reaper

Review: ‘Harriet’ (be free or die)

December 19, 2019December 24, 2019 Grim D. Reaper

Review: ‘Star Wars: The Rise of Skywalker’ (everything old is Abrams again)

December 18, 2019 Grim D. Reaper

Review: ‘Knives Out’ (a who’s-who whodunit)

December 14, 2019December 15, 2019 Grim D. Reaper

Review: ‘Black Christmas’ 2019 (all in the trailer)

December 11, 2019 Grim D. Reaper

Review: ‘The Lighthouse’ (a tale of two wickies)

December 9, 2019December 9, 2019 Grim D. Reaper

Review: ‘Jojo Rabbit’ (your Reich is calling)

December 8, 2019 Grim D. Reaper

Review: ‘Dark Waters’ (self-regulated reprobates)

December 7, 2019 Grim D. Reaper

Review: ‘The Irishman’ (Marty’s Greatest Hits)

December 7, 2019 Grim D. Reaper

Review: ‘Charlie’s Angels’ 2019 (half-throttle)

December 7, 2019 Grim D. Reaper

Review: ‘Maleficent: Mistress of Evil’ (lost in translation)

November 24, 2019 Grim D. Reaper

Review: ‘Frozen II’ (Frozen, Too)

November 11, 2019 Grim D. Reaper

Review: ‘Midway’ (Roland Emmerich schools Michael Bay)

November 11, 2019December 14, 2019 Grim D. Reaper

Review: ‘Pearl Harbor’ (sneak attack on a love story)

November 10, 2019 Grim D. Reaper

Review: ‘Doctor Sleep’ (whatever happened to Danny Torrance?)

November 4, 2019 Grim D. Reaper

Review: ‘Zombieland: Double Tap’ (still enjoying the apocalypse)

November 3, 2019March 3, 2020 Grim D. Reaper

Review: ‘Freaks’ (X-menless X-men)

November 2, 2019November 2, 2019 Grim D. Reaper

Review: ‘Terminator: Dark Fate’ (the Final Part 3)