December 24, 2023 Grim D. Reaper

Review: ‘The Boy and the Heron’ (for the birds)

December 23, 2023 Grim D. Reaper

Review: ‘Aquaman and the Lost Kingdom’ (black trident moan)

December 17, 2023 Grim D. Reaper

Review: ‘Wonka’ (pure delicious imagination)

December 17, 2023 Grim D. Reaper

Review: ‘Saltburn’ (the opportunistic Mr. Ripley)

December 10, 2023 Grim D. Reaper

Review: ‘Godzilla Minus One’ (post traumatic kaiju disorder)

December 10, 2023 Grim D. Reaper

Review: ‘The Holdovers’ (about a Barton boy)

November 24, 2023November 26, 2023 Grim D. Reaper

Review: ‘The Hunger Games: The Ballad of Songbirds and Snakes’ (an early Snow)

November 24, 2023 Grim D. Reaper

Review: ‘Elemental’ (Earth-ish, Wind, and Fire-Water)

November 9, 2023November 9, 2023 Grim D. Reaper

Review: ‘The Marvels’ (how Kamala got her bangle back)

November 2, 2023 Grim D. Reaper

Review: ‘A Haunting in Venice’ (in this house…)

October 27, 2023October 27, 2023 Grim D. Reaper

Review: ‘Five Nights at Freddy’s’ (panic at the pizzeria)

October 22, 2023 Grim D. Reaper

Review: ‘The Exorcist: Believer’ (I don’t practice Santeria)

October 21, 2023 Grim D. Reaper

Review: ‘Killers of the Flower Moon’ (the impotence of being Ernest)

September 28, 2023 Grim D. Reaper

Review: ‘The Nun II’ (Some call me Maurice)

August 10, 2023 Grim D. Reaper

Review: ‘The Last Voyage of the Demeter’ (the vampire always knocks twice)

August 4, 2023 Grim D. Reaper

Review: ‘Meg 2: The Trench’ (sea tour de farce)

August 2, 2023 Grim D. Reaper

Review: ‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ (genuinely milking it)

August 2, 2023 Grim D. Reaper

Review: ‘Talk to Me’ (like mothers do)