January 30, 2022February 10, 2022 Grim D. Reaper

Review: ‘Ray Donovan, The Movie’ (four Irishmen and a funeral)

January 24, 2022January 24, 2022 Grim D. Reaper

Review: ‘Dune’ (Part One, The Spice Must Flow)

January 22, 2022 Grim D. Reaper

Review: ‘WarHunt’ (Black Forest moan)

January 20, 2022 Grim D. Reaper

Review: ‘The Last Duel’ (me too-ish)

January 17, 2022 Grim D. Reaper

Review: ‘Hotel Transylvania: Transformania’ (Drac’s lamest hits)

January 14, 2022 Grim D. Reaper

Review: ‘Scream’ 5 (cinco de chillar) #spoilerfree

January 13, 2022January 14, 2022 Grim D. Reaper

Review: ‘Scream’ Trilogy (know the rules)

January 11, 2022 Grim D. Reaper

Review: ‘Last Night in Soho’ (more than a feeling)

January 9, 2022 Grim D. Reaper

Review: ‘The Tragedy of Macbeth’ (the Scottish play)

January 9, 2022January 9, 2022 Grim D. Reaper

Review: ‘See for Me’ (second-person shooter)

January 6, 2022 Grim D. Reaper

Review: ‘The 355’ (armed and disavowed)

January 2, 2022 Grim D. Reaper

Review: ‘Agnes’ (breaking the habit)

January 1, 2022February 2, 2022 Grim D. Reaper

Review: ‘Encanto’ (mountain-grown myth)

December 31, 2021 Grim D. Reaper

Review: ‘Antlers’ (The Quiet Boy)

December 24, 2021 Grim D. Reaper

Review: ‘Licorice Pizza’ (tastier than it sounds)

December 23, 2021 Grim D. Reaper

Review: ‘Sing 2’ (go big or go home)

December 23, 2021 Grim D. Reaper

Review: ‘The King’s Man’ (WWI was an inside job)

December 22, 2021 Grim D. Reaper

Review: ‘The Matrix Resurrections’ (control has evolved)