December 10, 2023December 17, 2023 Grim D. Reaper

Emma Tammi’s ‘Five Nights at Freddy’s’ Leads the Golden Scythe Horror Awards 2024

December 10, 2023 Grim D. Reaper

Review: ‘The Holdovers’ (about a Barton boy)

November 24, 2023November 26, 2023 Grim D. Reaper

Review: ‘The Hunger Games: The Ballad of Songbirds and Snakes’ (an early Snow)

November 24, 2023 Grim D. Reaper

Review: ‘Elemental’ (Earth-ish, Wind, and Fire-Water)

November 9, 2023November 9, 2023 Grim D. Reaper

Review: ‘The Marvels’ (how Kamala got her bangle back)

November 2, 2023 Grim D. Reaper

Review: ‘A Haunting in Venice’ (in this house…)

October 27, 2023October 27, 2023 Grim D. Reaper

Review: ‘Five Nights at Freddy’s’ (panic at the pizzeria)

October 22, 2023 Grim D. Reaper

Review: ‘The Exorcist: Believer’ (I don’t practice Santeria)

October 21, 2023 Grim D. Reaper

Review: ‘Killers of the Flower Moon’ (the impotence of being Ernest)

September 28, 2023 Grim D. Reaper

Review: ‘The Nun II’ (Some call me Maurice)

August 10, 2023 Grim D. Reaper

Review: ‘The Last Voyage of the Demeter’ (the vampire always knocks twice)

August 4, 2023 Grim D. Reaper

Review: ‘Meg 2: The Trench’ (sea tour de farce)

August 2, 2023 Grim D. Reaper

Review: ‘Teenage Mutant Ninja Turtles: Mutant Mayhem’ (genuinely milking it)

August 2, 2023 Grim D. Reaper

Review: ‘Talk to Me’ (like mothers do)

July 26, 2023 Grim D. Reaper

Review: ‘Barbie’ (from stereotypical to existential crisis… and Ken)

July 25, 2023July 26, 2023 Grim D. Reaper

Review: ‘Haunted Mansion’ 2023 (welcome, foolish movie goers)

July 19, 2023July 19, 2023 Grim D. Reaper

Review: ‘Oppenheimer’ (destroyer of worlds)

July 11, 2023 Grim D. Reaper

Review: ‘Mission: Impossible – Dead Reckoning Part One’ (Espionage on the Orient Express)