February 23, 2023 Grim D. Reaper

Houston Film Critics Society 16th Annual Awards!

February 7, 2023February 8, 2023 Grim D. Reaper

Review: ‘Marcel the Shell With Shoes On’ (a sense of wonder)

January 18, 2023January 19, 2023 Grim D. Reaper

Review: ‘Bodies Bodies Bodies’ (affluenza of the rich and famous)

January 13, 2023January 13, 2023 Grim D. Reaper

Review: ‘The Fabelmans’ (a fictionalized autobiography)

January 12, 2023January 19, 2023 Grim D. Reaper

Review: ‘The Banshees of Inisherin’ (The Irish War of the Roses)

January 8, 2023 Grim D. Reaper

Houston Film Critics Society 2022 Nominees

December 31, 2022January 13, 2023 Grim D. Reaper

2022 Top Ten Films (and Honorable Mentions)

December 29, 2022January 19, 2023 Grim D. Reaper

Review: ‘Guillermo del Toro’s Pinocchio’ (the boy with the borrowed soul)

December 29, 2022 Grim D. Reaper

Review: ‘The Menu’ (a dining experience to die for)

December 28, 2022 Grim D. Reaper

Review: ‘Don’t Worry Darling’ (it’s just your imagination)

December 28, 2022 Grim D. Reaper

Review: ‘Three Thousand Years of Longing’ (wishful thinking)

December 27, 2022 Grim D. Reaper

Review: ‘Glass Onion’ (a Benoit Blanc mystery)

December 26, 2022 Grim D. Reaper

Review: ‘Puss in Boots: The Last Wish’ (memento mori)

December 22, 2022 Grim D. Reaper

Review: ‘Babylon’ (livin’ it up ’til we hit the ground)

December 15, 2022 Grim D. Reaper

Review: ‘Avatar: The Way of Water’ (be like water, my friend)

December 2, 2022 Grim D. Reaper

Review: ‘Violent Night’ (Yule love it!)

October 14, 2022 Grim D. Reaper

Review: ‘Halloween Ends’ (now leaving Haddonfield)

October 11, 2022 Grim D. Reaper

Review: ‘Spirit Halloween’ (Wait, what? The Movie)