February 17, 2023 Grim D. Reaper

Review: ‘Ant-Man and the Wasp: Quantumania’ (it’s probably fine)

February 11, 2023 Grim D. Reaper

Preview: Dungeons & Dragons, Scream VI , Fast X

February 9, 2023 Grim D. Reaper

Review: ‘Consecration’ (a relic by any other name)

February 7, 2023February 8, 2023 Grim D. Reaper

Review: ‘Marcel the Shell With Shoes On’ (a sense of wonder)

February 3, 2023February 8, 2023 Grim D. Reaper

Review: ‘Skinamarink’ (a-dink-a-dink)

February 1, 2023February 1, 2023 Grim D. Reaper

Review: ‘Knock at the Cabin’ (real wrath-of-God type stuff)

January 27, 2023 Grim D. Reaper

Preview: Sorry About the Demon, We Have a Ghost, Honor Among Thieves

January 19, 2023 Grim D. Reaper

Preview: Are You There God? It’s Me, Margaret, Infinity Pool, Scream VI

January 18, 2023January 19, 2023 Grim D. Reaper

Review: ‘Bodies Bodies Bodies’ (affluenza of the rich and famous)

January 13, 2023January 13, 2023 Grim D. Reaper

Review: ‘The Fabelmans’ (a fictionalized autobiography)

January 12, 2023January 19, 2023 Grim D. Reaper

Review: ‘Plane’ (short and schweet)

January 12, 2023January 19, 2023 Grim D. Reaper

Review: ‘The Banshees of Inisherin’ (The Irish War of the Roses)

January 10, 2023January 13, 2023 Grim D. Reaper

Preview: Beau Is Afraid, Quantumania, Renfield

January 8, 2023 Grim D. Reaper

Houston Film Critics Society 2022 Nominees

January 5, 2023January 5, 2023 Grim D. Reaper

Review: ‘M3GAN’ (Practically P3rfect)

January 4, 2023January 13, 2023 Grim D. Reaper

Preview: M3GAN, Evil Dead Rise, Knock at the Cabin

December 31, 2022January 13, 2023 Grim D. Reaper

2022 Top Ten Films (and Honorable Mentions)

December 29, 2022January 19, 2023 Grim D. Reaper

Review: ‘Guillermo del Toro’s Pinocchio’ (the boy with the borrowed soul)