February 24, 2023 Grim D. Reaper

Review: ‘Cocaine Bear’ (the mammal and the magic dust)

February 23, 2023 Grim D. Reaper

The Bigger Picture: ‘Knock at the Cabin’ and The Greater Good

February 23, 2023 Grim D. Reaper

Houston Film Critics Society 16th Annual Awards!

February 17, 2023 Grim D. Reaper

Review: ‘Ant-Man and the Wasp: Quantumania’ (it’s probably fine)

February 11, 2023 Grim D. Reaper

Preview: Dungeons & Dragons, Scream VI , Fast X

February 9, 2023 Grim D. Reaper

Review: ‘Consecration’ (a relic by any other name)

February 7, 2023February 8, 2023 Grim D. Reaper

Review: ‘Marcel the Shell With Shoes On’ (a sense of wonder)

February 3, 2023February 8, 2023 Grim D. Reaper

Review: ‘Skinamarink’ (a-dink-a-dink)

February 1, 2023February 1, 2023 Grim D. Reaper

Review: ‘Knock at the Cabin’ (real wrath-of-God type stuff)

January 27, 2023 Grim D. Reaper

Preview: Sorry About the Demon, We Have a Ghost, Honor Among Thieves

January 19, 2023 Grim D. Reaper

Preview: Are You There God? It’s Me, Margaret, Infinity Pool, Scream VI

January 18, 2023January 19, 2023 Grim D. Reaper

Review: ‘Bodies Bodies Bodies’ (affluenza of the rich and famous)

January 13, 2023January 13, 2023 Grim D. Reaper

Review: ‘The Fabelmans’ (a fictionalized autobiography)

January 12, 2023January 19, 2023 Grim D. Reaper

Review: ‘Plane’ (short and schweet)

January 12, 2023January 19, 2023 Grim D. Reaper

Review: ‘The Banshees of Inisherin’ (The Irish War of the Roses)

January 10, 2023January 13, 2023 Grim D. Reaper

Preview: Beau Is Afraid, Quantumania, Renfield

January 8, 2023 Grim D. Reaper

Houston Film Critics Society 2022 Nominees

January 5, 2023January 5, 2023 Grim D. Reaper

Review: ‘M3GAN’ (Practically P3rfect)