January 18, 2023January 19, 2023 Grim D. Reaper #grmdrpr

Review: ‘Bodies Bodies Bodies’ (affluenza of the rich and famous)

January 13, 2023January 13, 2023 Grim D. Reaper #grmdrpr

Review: ‘The Fabelmans’ (a fictionalized autobiography)

January 12, 2023January 19, 2023 Grim D. Reaper #grmdrpr

Review: ‘Plane’ (short and schweet)

January 12, 2023January 19, 2023 Grim D. Reaper #grmdrpr

Review: ‘The Banshees of Inisherin’ (The Irish War of the Roses)

January 10, 2023January 13, 2023 Grim D. Reaper #grmdrpr

Preview: Beau Is Afraid, Quantumania, Renfield

January 8, 2023 Grim D. Reaper #grmdrpr

Houston Film Critics Society 2022 Nominees

January 5, 2023January 5, 2023 Grim D. Reaper #grmdrpr

Review: ‘M3GAN’ (Practically P3rfect)

January 4, 2023January 13, 2023 Grim D. Reaper #grmdrpr

Preview: M3GAN, Evil Dead Rise, Knock at the Cabin

December 31, 2022January 13, 2023 Grim D. Reaper #grmdrpr

2022 Top Ten Films (and Honorable Mentions)

December 29, 2022January 19, 2023 Grim D. Reaper #grmdrpr

Review: ‘Guillermo del Toro’s Pinocchio’ (the boy with the borrowed soul)

December 29, 2022 Grim D. Reaper #grmdrpr

Review: ‘The Menu’ (a dining experience to die for)

December 28, 2022 Grim D. Reaper #grmdrpr

Review: ‘Don’t Worry Darling’ (it’s just your imagination)

December 28, 2022 Grim D. Reaper #grmdrpr

Review: ‘Three Thousand Years of Longing’ (wishful thinking)

December 27, 2022 Grim D. Reaper #grmdrpr

Review: ‘Glass Onion’ (a Benoit Blanc mystery)

December 26, 2022 Grim D. Reaper #grmdrpr

Review: ‘Puss in Boots: The Last Wish’ (memento mori)

December 22, 2022 Grim D. Reaper #grmdrpr

Review: ‘Babylon’ (livin’ it up ’til we hit the ground)

December 15, 2022 Grim D. Reaper #grmdrpr

Review: ‘Avatar: The Way of Water’ (be like water, my friend)

December 2, 2022 Grim D. Reaper #grmdrpr

Review: ‘Violent Night’ (Yule love it!)