March 18, 2022March 18, 2022 Grim D. Reaper

Review: ‘X’ (where the spot marks you)

March 3, 2022 Grim D. Reaper

Review: ‘The Batman’ (the longer Halloween)

February 27, 2022 Grim D. Reaper

Review: ‘Studio 666’ (lacimus dei ebrius)

February 3, 2022 Grim D. Reaper

Review: ‘Moonfall’ (that’s no moon)

February 3, 2022 Grim D. Reaper

Review: ‘Nobody’ (is coming to save you)

January 30, 2022February 10, 2022 Grim D. Reaper

Review: ‘Ray Donovan, The Movie’ (four Irishmen and a funeral)

January 24, 2022January 24, 2022 Grim D. Reaper

Review: ‘Dune’ (Part One, The Spice Must Flow)

January 22, 2022 Grim D. Reaper

Review: ‘WarHunt’ (Black Forest moan)

January 22, 2022 Grim D. Reaper

Review: ‘The Seventh Seal’ (the silence of God)

January 20, 2022 Grim D. Reaper

Review: ‘The Last Duel’ (me too-ish)

January 19, 2022January 20, 2022 Grim D. Reaper

And the 15th Annual Houston Film Critics’ Awards Goes to…

January 17, 2022 Grim D. Reaper

Review: ‘Hotel Transylvania: Transformania’ (Drac’s lamest hits)

January 14, 2022 Grim D. Reaper

Review: ‘Scream’ 5 (cinco de chillar) #spoilerfree

January 13, 2022January 14, 2022 Grim D. Reaper

Review: ‘Scream’ Trilogy (know the rules)

January 11, 2022 Grim D. Reaper

Review: ‘Last Night in Soho’ (more than a feeling)

January 9, 2022 Grim D. Reaper

Review: ‘The Tragedy of Macbeth’ (the Scottish play)

January 9, 2022January 9, 2022 Grim D. Reaper

Review: ‘See for Me’ (second-person shooter)

January 6, 2022 Grim D. Reaper

Review: ‘The 355’ (armed and disavowed)