March 14, 2020 Grim D. Reaper

Review: ‘The Hunt’ (the most dangerous-ish game)

March 5, 2020 Grim D. Reaper

Review: ‘Onward’ (a family fantasy… with legs)

March 3, 2020March 3, 2020 Grim D. Reaper

Review: ‘Color Out of Space’ (a family bonding experience)

March 1, 2020March 1, 2020 Grim D. Reaper

Review: ‘Mandy’ (a love-it-or-leave-it revenge fantasy)

February 29, 2020February 29, 2020 Grim D. Reaper

Review: ‘The Invisible Man’ 2020 (now you see him)

February 22, 2020February 25, 2020 Grim D. Reaper

Review: ‘Brahms: The Boy II’ (the devil inside)

February 21, 2020February 21, 2020 Grim D. Reaper

Review: ‘Fantasy Island’ (Can you live this fantasy life?)

February 15, 2020 Grim D. Reaper

Review: ‘Sonic the Hedgehog’ (Are You Lonesome Tonight?)

February 11, 2020 Grim D. Reaper

Review: ‘The Lodge’ (Grace under pressure)

February 3, 2020February 3, 2020 Grim D. Reaper

Review: ‘Gretel and Hansel’ (beware of gifts)

January 18, 2020 Grim D. Reaper

Review: ‘The Farewell’ (a tradition of deception)

January 18, 2020 Grim D. Reaper

Review: ‘Dolittle’ (reworked Rex Harrison)

January 15, 2020 Grim D. Reaper

Review: ‘Underwater’ (deepstar leviathan abyss-ish)

January 13, 2020January 13, 2020 Grim D. Reaper

Review: ‘Parasite’ (the power of invisibility)

December 27, 2019 Grim D. Reaper

Review: ‘Uncut Gems’ (the imperfect score)

December 26, 2019 Grim D. Reaper

Review: ‘Little Women’ (the Gerwig adaptation)

December 25, 2019 Grim D. Reaper

Review: ‘1917’ (technical achievement unlocked)

December 25, 2019December 26, 2019 Grim D. Reaper

Review: ‘Bombshell’ (weaponized superficiality)