December 27, 2019 Grim D. Reaper

Review: ‘Uncut Gems’ (the imperfect score)

December 25, 2019 Grim D. Reaper

Review: ‘1917’ (technical achievement unlocked)

December 25, 2019December 26, 2019 Grim D. Reaper

Review: ‘Bombshell’ (weaponized superficiality)

December 24, 2019 Grim D. Reaper

Review: ‘Cats’ (overcomplicating simplicity)

December 24, 2019 Grim D. Reaper

Review: ‘Harriet’ (be free or die)

December 19, 2019December 24, 2019 Grim D. Reaper

Review: ‘Star Wars: The Rise of Skywalker’ (everything old is Abrams again)

December 18, 2019 Grim D. Reaper

Review: ‘Knives Out’ (a who’s-who whodunit)

December 16, 2019 Grim D. Reaper

Houston Film Critics Society 2019 Nominations

December 11, 2019 Grim D. Reaper

Review: ‘The Lighthouse’ (a tale of two wickies)

December 9, 2019December 9, 2019 Grim D. Reaper

Review: ‘Jojo Rabbit’ (your Reich is calling)

December 8, 2019 Grim D. Reaper

Review: ‘Dark Waters’ (self-regulated reprobates)

December 7, 2019 Grim D. Reaper

Review: ‘The Irishman’ (Marty’s Greatest Hits)

December 7, 2019 Grim D. Reaper

Review: ‘Charlie’s Angels’ 2019 (half-throttle)

December 7, 2019 Grim D. Reaper

Review: ‘Maleficent: Mistress of Evil’ (lost in translation)

November 24, 2019 Grim D. Reaper

Review: ‘Frozen II’ (Frozen, Too)

November 13, 2019November 13, 2019 Grim D. Reaper

Blumhouse Embraces the Darkness of Fantasy Island

November 12, 2019 Grim D. Reaper

Scoob!, Sonic the Hedgehog, Fantasy Island — #TrailerTuesday

November 11, 2019 Grim D. Reaper

Review: ‘Midway’ (Roland Emmerich schools Michael Bay)