January 18, 2020 Grim D. Reaper

Review: ‘The Farewell’ (a tradition of deception)

January 18, 2020 Grim D. Reaper

Review: ‘Dolittle’ (reworked Rex Harrison)

January 15, 2020 Grim D. Reaper

Review: ‘Underwater’ (deepstar leviathan abyss-ish)

January 14, 2020 Grim D. Reaper

Black Widow, Saint Maud, Morbius, Gretel and Hansel, Birds of Prey — #TrailerTuesday

January 13, 2020January 13, 2020 Grim D. Reaper

‘Joker’ Leads 92nd Oscars Nominations

January 13, 2020January 13, 2020 Grim D. Reaper

Review: ‘Parasite’ (the power of invisibility)

January 7, 2020January 13, 2020 Grim D. Reaper

Online Film Critics Society (OFCS) 23rd Awards: ‘Parasite’ Best Picture

January 6, 2020January 13, 2020 Grim D. Reaper

Golden Globe Winners 2020

January 3, 2020January 13, 2020 Grim D. Reaper

13th Annual Houston Film Critics Society Awards: 2019 Winners

January 1, 2020 Grim D. Reaper

Online Film Critics Society (OFCS) 23rd Annual Nominations for 2019

December 31, 2019January 4, 2020 Grim D. Reaper

Recommendations of a Decade: 2010-2019

December 27, 2019 Grim D. Reaper

Review: ‘Uncut Gems’ (the imperfect score)

December 26, 2019 Grim D. Reaper

Review: ‘Little Women’ (the Gerwig adaptation)

December 25, 2019 Grim D. Reaper

Review: ‘1917’ (technical achievement unlocked)

December 25, 2019December 26, 2019 Grim D. Reaper

Review: ‘Bombshell’ (weaponized superficiality)

December 24, 2019 Grim D. Reaper

Review: ‘Cats’ (overcomplicating simplicity)

December 24, 2019 Grim D. Reaper

Review: ‘Harriet’ (be free or die)

December 19, 2019December 24, 2019 Grim D. Reaper

Review: ‘Star Wars: The Rise of Skywalker’ (everything old is Abrams again)